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African Art, Interviews, Narratives: Bodies of Knowledge at by Joanna Grabski, Carol Magee

By Joanna Grabski, Carol Magee

Joanna Grabski and Carol Magee assemble a compelling assortment that exhibits how interviews can be utilized to generate new that means and the way connecting with artists and their paintings can remodel creative creation into leading edge severe insights and information. The individuals to this quantity contain artists, museum curators, artwork historians, and anthropologists, who deal with inventive construction in quite a few destinations and media to query past makes use of of interview and impress substitute understandings of art.

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24 Patrick McNaughton Cappone, Mario. ” In Iba Ndiaye: Peindre est se souvenir. Condé-­sur-­ Noireau: NEAS-­Sépia, 1994. Jackson, Michael. Paths Toward a Clearing: Radical Empiricism and Ethnographic Inquiry. Bloomington: Indiana University Press, 1989. ———. Things as They Are: New Directions in Phenomenological Anthropology. Blooming­ ton: Indiana University Press, 1996. Keller, Candace. D. , Indiana University, 2008. McNaughton, Patrick R. A Bird Dance near Saturday City: Sidi Ballo and the Art of West African Masquerade.

These pitfalls emerge from our experiences and predilections, which is why it is always good to have multiple sources to draw upon. And so ethnographic objectivity is relative and complicated. It is not possible to present just facts, or produce an accurate picture of a society, an art tradition, or even an in­di­vidual artwork, because in all of these things there are high degrees of complexity, and the in­di­vidu­als who talk to ethnographers and the ethnographers themselves wade through that complexity differently.

In Symbolic Narratives/­ African Cinema: Audiences, Theory, and the Moving Image, edited by June Givanni, 81– 92. London: British Film Institute, 2000. Diers, Michael. ” In Hans Ulrich Obrist Interviews, vol. 1, edited by Hans Ulrich Obrist, Thomas Boutoux, and Charles Arsène, 13–25. Milan: Charta, 2003. Fabian, Johannes. Remembering the Present: Painting and Popular History in Zaire. Berke­ ley: University of California Press, 1996. Fair, Laura. ” In African Words, African Voices: Critical Practices in Oral History, edited by Luise White, Stephan F.

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